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Lion Feuchtwanger (1884-1958), a distinguished member of the post-World War I German literary scene, lived and wrote in political exile for the last quarter-century of his life. His masterwork, Success, is one of the great novels of the 20th century.
Lion Feuchtwanger was born on July 7, 1884, in Munich, Germany, the son of a wealthy Jewish industrialist. At Berlin and Munich universities he studied philosophy, literature, and ancient and modern languages and also developed a working interest in theater; in fact, while still a student he composed three short Old Testament plays--Joel, King Saul, and Uriah's Wife (1905-1906). After graduation he became a drama critic for Die Schaubühne (The Stage) from 1908 to 1911. In 1912 he married Martha Loffler.
Feuchtwanger was an inveterate traveller, and in 1914, shortly after the outbreak of World War I, he was in Tunisia (which was then French) and was arrested as an enemy alien and imprisoned. He escaped after a short internment, returned to Germany, and served in the army. After his discharge he wrote several anti-war plays (one, entitled Peace, was modeled on an Aristophanes anti-war play), but wartime patriotic fervor led to their suppression. Back in Berlin he began graduate work in literature and received a Ph.D. in 1918; his thesis subject was the great 19th-century German-Jewish poet Heinrich Heine.
Feuchtwanger's own early poetry reflected his socialist and pacifist views, and in 1918 he founded a literary newspaper, Der Spiegel (The Mirror), to promote "revolutionary artistic tendencies." His editorship led to the discovery of the experimental radical playwright Bertolt Brecht, whose work Feuchtwanger enthusiastically promoted; they later collaborated on several plays, including Das Leben Eduard des zweiten von England (1928), an adaptation of Christopher Marlowe's Edward II.
Feuchtwanger was an energetic man and a prolific writer: he translated literary classics from the Spanish, the English, and the ancient Greek and worked as an editor and a reviewer, yet still found time for his own plays, novels, and poems. He finished his first novel, Jew Süss (Power), in 1921 but was unable to find a publisher for it until 1925, when it became an international best-seller. Set in the 18th century, it deals with an identity crisis: in order to gain social power, the novel's protagonist renounces his Jewish heritage and becomes assimilated into the mainstream of German culture. In 1928, although he had not yet visited the United States, Feuchtwanger, under the pseudonym J. L. Wetcheek (a literal translation of "Feuchtwanger"), wrote Pep, a book of satirical poems about America.
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Lion Feuchtwanger (1884-1958), a distinguished member of the post-World War I German literary scene, lived and wrote in political exile for the last quarter-century of his life. His masterwork, Success, is one of the great novels of the 20th century.
Lion Feuchtwanger was born on July 7, 1884, in Munich, Germany, the son of a wealthy Jewish industrialist. At Berlin and Munich universities he studied philosophy, literature, and ancient and modern languages and also developed a working interest in theater; in fact, while still a student he composed three short Old Testament plays--Joel, King Saul, and Uriah's Wife (1905-1906). After graduation he became a drama critic for Die Schaubühne (The Stage) from 1908 to 1911. In 1912 he married Martha Loffler.
Feuchtwanger was an inveterate traveller, and in 1914, shortly after the outbreak of World War I, he was in Tunisia (which was then French) and was arrested as an enemy alien and imprisoned. He escaped after a short internment, returned to Germany, and served in the army. After his discharge he wrote several anti-war plays (one, entitled Peace, was modeled on an Aristophanes anti-war play), but wartime patriotic fervor led to their suppression. Back in Berlin he began graduate work in literature and received a Ph.D. in 1918; his thesis subject was the great 19th-century German-Jewish poet Heinrich Heine.
Feuchtwanger's own early poetry reflected his socialist and pacifist views, and in 1918 he founded a literary newspaper, Der Spiegel (The Mirror), to promote "revolutionary artistic tendencies." His editorship led to the discovery of the experimental radical playwright Bertolt Brecht, whose work Feuchtwanger enthusiastically promoted; they later collaborated on several plays, including Das Leben Eduard des zweiten von England (1928), an adaptation of Christopher Marlowe's Edward II.
Feuchtwanger was an energetic man and a prolific writer: he translated literary classics from the Spanish, the English, and the ancient Greek and worked as an editor and a reviewer, yet still found time for his own plays, novels, and poems. He finished his first novel, Jew Süss (Power), in 1921 but was unable to find a publisher for it until 1925, when it became an international best-seller. Set in the 18th century, it deals with an identity crisis: in order to gain social power, the novel's protagonist renounces his Jewish heritage and becomes assimilated into the mainstream of German culture. In 1928, although he had not yet visited the United States, Feuchtwanger, under the pseudonym J. L. Wetcheek (a literal translation of "Feuchtwanger"), wrote Pep, a book of satirical poems about America.
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